#you get Drafted

[the-faultofdaedalus]

It starts with the dreams.

They're not like other dreams. There's no distortion to them, none of the instability that comes with most dreams. Everything is vivid, clear. Your mind is sharp, orderly.

Nonetheless, it is not a lucidity. You don't know you are in a dream, and you won't, not until you wake up. 

You'll be in a field, a forest, on the shore of some great ocean. Empty landscapes, all of them. There will always be something there for you -- a cup on the stump of a tree, a perfectly round pool of water, a series of leaves, constellations wheeling across the sky.

The vast majority of people will only ever have one of these dreams. Whatever their reaction to the objects, the signs, the trials, they don't pass whatever the unstated test is, and they never have another dream again. They carry on with their lives, those lucky masses.

To some, to people like you, the dreams continue. They become familiar over a month, two, three. You'll put the leaves in order, you'll stare into the depths of the pool, the cup will fill with sweet-tasting tea. You'll see the stars wheel in patterns overhead, you'll find patterns in their dance. You'll preform these tasks with a strange, natural intuition, though some will feel easier than others. It will surprise you to hear that most people have no such drive, no such innate understanding of what these visions require of you.

Of course, you can fail these tests, should you wish to. You don't have bend the motions of the stars to your will until they are set in the correct patterns, you don't need to look to something beyond the pool of water, to see into a place that is not where you stand, to arrange the plants according to what is within, not without. You don't need to. You can avoid the fate you don't yet know about.

You can, but you won't. This drive is buried too deep to be avoided.

The last dream will have no task for you, no challenge, no test. You will awake in another empty place, at night, made bright by the moon, the stars.

In front of you will be a path, stretching straight away to the horizon. 

This will be the last chance you have to avoid this fate. You can avoid this fate, if you wish to, if you can gather your wits and realize that this dream is no longer entirely a dream. 

All you must do is not walk forward. Do not follow the path. Stay exactly where you are, even if you do not wake up. Especially if you do not wake up.

You only have one other choice, and it is the path.

You're already walking, aren't you?

Something is pulling you forwards, the same bone-deep intuition that you felt about the tests. Something not that you need to do, but something that is so easy that it would be more difficult to not you.

And so you walk, along the path, under the moon. You've made your choice; you'll find, now, that there is no turning back.

You will walk towards the horizon, and the moon will spin through it's phases like rotoscope.

When you next wake, you will not be in the same place you fell asleep. You will be somewhere new. Somewhere else. You will say goodbye to your old life, whatever it was. However perfect or dismal it was, no matter if you longed to leave it behind or were content with your lot. You will not have a choice. There is no way home, not from here, not anymore.

Welcome to the Witchdraft.

[moechies]

“shit, this pussy’s damn tight, girl.” toji chuckles, leaned against the wooden headboard of his mattress, with your pretty cunt impaled on his dick. you’re sat upon the man’s lap, back slumped into his bigger body as he lifts your legs to your chest with a singular arm.

“hnn—! thank y-you, thank you, thank you !” you slur, holding onto the man’s bigger arm for leverage as he pumps his cock against your cunt, your round butt slapping against his pelvis.

“tch,” he smirks, “thank you? haven’t heard that one b’fore.” his thrusts come to a slow, leaving you breathless and dazed. you lay back against the man’s chest as he continues lazy but brutal pumps to your poor cunt, pushing against him in an attempt to get him to slow.

“hnn.. ‘m sorry..” you cry out, embarrassed, face growing flushed as your nose scrunches at the memory of a few seconds prior.

toji can’t help but fall into a short fit of laughing at your adorable innocence, soft lips curled into a mean smirk, “‘s alright, sweet thing. yer so polite, hm?” he taunts, pressing a weighted kiss against your lips. you slip your tongue against his before you lose the chance, pressing your face closer to the man’s touch.

“y’take cock like a naughty brat, though.” he whispers in between a breath.

his sloppy tongue overrules yours, slowly but surely swallowing you whole. he peeks through a sliver of his eye, watching you pant into his mouth with your eyes squeezed tight, drool leaking down your chin, so entirety focused on kissing him back. “toji—“ you mewl.

“ya started it,” he mumbles against your swollen lips, giving your cunt a soft slap. you jerk and cry against his hold, pushing the said assaulting hand away, making him giggle. “what a dumb little thing.”

“please ! ‘m gonna c-cum! toji, please, please—“ you cry as his thrusts get harder, pace becomes sloppier, before it all comes to an abrupt stop.

your pants slow, gentle mewls that leave your lips as you begin to fall into a fit of sobs. “no..” toji breaks a grin, petting against your hair whispering sweet praises, “‘m sorry doll, daddy’s tired. let me have a break, yeah?” he adores how you look up to him with bleary eyes, chest full of pained hiccups as you attempt to bounce yourself atop his cock in your position. “..w-wanna cum!”

“don’t be so selfish, sweet thing. ‘m old, ‘s what ya get for hangin’ around me.” he lies through his teeth. pace slowly resuming. his creamy, slicked up cock causes his thrusts to grow in noise, face flushing at the evidence of the use of your poor cunt.

“daddy —!”

“shhh, settle down and let daddy focus, yeah?” he mumbles breathlessly against the shell of your ear, “or else daddy might get too tired.. and won’t be able to finish ya off.” he sighs.

[callisteios]

Hi, feel free to take my new uquiz to discover what kind of vampire you are!

[what-am-i-doing-in-this-fandom]

I spent all day on this, now I'm gonna go spend the rest of my Halloween with my family, I LOVE YOU GUYS, HAVE A GOOD HALLOWEEN!!!!!

I lost the ask this was supposed to be attached to :'(

Woah, actual communication??? Between these bozos?? More likely than you'd think 🙏

Previous!!

First!!

[inkskinned]

the thing about some men is that they want you to remember, at all times, that you are underneath them. that with one word or look or "joke", you will stay beneath them. that even "exceptions" to the rule are not true exceptions - the commonly cited statistic that one in eight men believe they could win against serena williams.

women's gymnastics is often not seen as real gymnastics. whatever the fuck non-euclidian horrors rhythmic gymnasts are capable of, it's often tamped down as being not a sport. some of the most dominant athletes in the world are women. nobody watches women's soccer. despite years of dancing and being built like a fucking brick, men always assume they're faster and stronger than i am. you wouldn't like what happens when they are incorrect. once while drunk at a guy's house i won a held-plank challenge by a solid minute. the party was over after that - he became exceedingly violent.

what i mean is that you can be perfect, and they still think you're ... lacking, somehow. i hope you understand i'm trying to express a neutral statement when i say: taylor swift was the possibly the most patriarchy-palatable, straight-down-the-line woman we could churn out. she is white, conventionally attractive, usually pretty mild in personality. say what you will about her (and you should, she's a billionaire, she can handle it), but a few things seem to be true about her: 1. she can write a damn catchy song, and 2. the eras tour truly was a massive commercial success and was also genuinely an impressive feat of human athleticism and performance.

i don't know if she deserves the title of "woman of the year," i'm not debating that in this post. what i am saying is that she was named Woman of The Year, and then an untalented man got onstage at the golden globes and made fun of her for attending her boyfriend's football games. what i am saying is that this woman altered local economies - and her dating life is still being made into a "harmless" punchline. the camera panned, greedy, over to her downing a full glass of champagne. congratulations taylor! you are woman of the year! but you are a woman. even her.

fuck, man. write better material.

a guy gets onstage at a college graduation and despite the fact like half the crowd is made up of women, he spends a significant proportion of it warning these people - who spent possibly hundreds of thousands of dollars on their education - that they were lied to. that the "real" meaning of femininity is motherhood. that they shouldn't rest on the laurels of that education-they-paid-for but instead throw it away to kneel at a man's heel. imagine that. sweating in your godawful polyester gown (that you also had to pay for!), fresh out of 4 years of pushing yourself ever-harder: and some guy you've never met - who knows nothing about you - he reminds you this "win" is a pyrrhic one at best. you really shouldn't consider yourself that extraordinary. you're still a woman, even after years of study.

god forbid you are not a pretty woman, but if you are pretty, you must be dumb. god forbid you are not ablebodied or white or cis or straight or good at swallowing. you must be beneath a man, or else they are not a man. the equation for masculinity seems to just be: that which is not a woman or womanly (god forbid). anything "feminine" is thereby anathema. to engage in "feminine" things such as therapy, getting a hug from a friend, or crying - it is giving up ones manhood. therefore women need to be put in their place to ensure that masculinity is protected.

this is something i have struggled to explain to terfs - they are not doing the work of feminism, but rather the patriarchy. by asserting that women and men must be (on some secret level) oppositional and in conflict, they also assume that being a woman is akin to being another species. but bigotry does not stem from observational truths or clarity - that is what makes it bigotry. there was nothing in my childhood that made me fundamentally different from my brother. we are treated differently nonetheless. to assert there is some biological drive that enforces my gender role is to assert that women have a gendered role. men do not see women as equal to them not because of biological reality - but instead because the core tenant of the patriarchy is that women aren't full, realized people.

we are told from a very young age to excuse misbehavior as a single man's choice - not all men. it is not all men, just that one guy. all women are gold-digging bitches who belong in the kitchen - but if a man is mean, bigoted, or violent to you, it's just that particular guy, and that means nothing about men-as-a-whole. it is only one guy who got mad when you gently rejected him. it is only one guy who warns her this trophy is heavy, are you sure you can hold it? it is only one guy who smashes her face into the cake. it is only one guy talking into a mic about hating our bodily autonomy.

i have just found that they often wait until the moment we actually seem to be upstaging them. you sit in a meeting where you're presenting your own findings and he says get me a coffee? or you run to the end of the marathon and are about to finish first and he pushes your kids out in front of you. you win the chess game and they make some comment akin to well, you're ugly away. we can be the billionaire and get the dream life and finally fucking do it and yet! still! they have this strange, visceral urge to say well actually, if you think you're so great -

it's not one just one guy. it's one in eight.

[kentopedia]

nanami kento, who hates dating, and didn’t do much of it in his early twenties. but now, he’s almost thirty, watching all the people he works with settle down, have kids, and he thinks he wants that. so he might as well try.

so satoru sets him up on a few dates — friends of friends, he calls them. and at the end of every one of the dinners, kento goes home empty, exhausted, because he knows what they want is not the same.

still; he thinks maybe he’s being a little self-destructive, maybe too picky, maybe he just got so used to being alone. with satoru’s insistence, he gives all the women another call, invites them over to his apartment.

the first time was a disaster… kento had barely set the dinner on the table before his cat had hissed at her, scratched her down the arm in a thin gash. and though it did draw blood, it was hardly enough to warrant that reaction.

he didn’t even try to stop her as she picked up her bag and left, huffing like she’d been morally offend. kento, though, could only smile to himself in amusement.

because maybe kento was a poor judge of character, a man who was secretly hoping nothing would pan out — but his cat could certainly tell the good from the bad.

it became a little game to him, after that. seeing if anyone could win his pet over, and if they could, perhaps they were the one. his darling animal was a fickle thing anyway. a bit too defensive, quick to bite anything threatening after years on the streets.

naturally, no one came back twice.

he was close to giving up, accepting his solitude because he was tired of empty conversations over dinner. but then, he ventured out over the weekend to a new coffee shop, during hours he normally didn’t spend out of his home, and met you.

though you only talked for a moment, kento felt like maybe he’d known you in a past life. a part of him thought maybe it was strange, the way he kept coming back to talk to you, catching you at the end of your shift to see if you wanted to grab a coffee sometime.

by the second date, kento started to think you could turn out to be his best friend.

by the third date, kento wondered if soulmates were real.

on the fourth date, almost two months later, an appropriate time to get to know someone when you were as reserved as kento, he invited you over for dinner. it was, perhaps, the final confirmation he needed to let himself be with you.

he let you through the door, smiling softly as you told him about the book you were reading, and hung his coat on the rack. a moment later, you stopped, distracted, hands covering your mouth in a gasp.

“kento! she’s the cutest cat i’ve ever seen, you didn’t even show me pictures!” you exclaim, and, a few feet away, crouched down. “look at her pretty eyes…”

“careful,” kento said, “she’s not very—“

but the cat approached your outstretched hand, sniffed once, before letting you scratch her under her chin, purring loud enough for kento to hear across the room.

“shes such a sweetheart, you told me she was mean!” you smiled, making a cooing noise as you threaded your fingers through her fur. “kento’s a liar, isn’t he… you’re so precious.”

a few moments later, she snapped her jaw at you in a biting motion, and you only laughed, withdrawing your hand. “alright, i get it, i won’t bother you anymore.”

though she still brushed against your legs, just as she did kento’s, and seemed to communicate some sort of message to him.

“do you want any help cooking?” you ask, tucking your hair behind your ears. “i’m a disaster in the kitchen, but—“

“sure,” kento said, his chest tightening as he blinked back at you, only in his apartment for minutes and already looking as at home there. he wondered if it was possible to fall in love so quickly. “but only if you want to.”

[mobius-m-mobius]

A lot of people have talked about Benoit Blanc's accent. Was he always going to sound like that, was that in the original script?

[insertdisc5]

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[introspectivememories]

was it casual when i sat in your lap in public? was it casual when i said "recently my heart is crying because you're leaving"? was it casual when we decided how your last name would fit with mine? ("yuki tsunoda-gasly" / "no tsunoda, only gasly" / "yuki gasly?") was it casual when we sang adele's "someone like you" together at your going away party? was it casual when i knew it was you just by touching your ass? was it casual when i knew it was you by smell alone? was it casual when "will you miss me?" / "for 2-3 minutes maybe" / "i'll take that. even if it's just 2-3 minutes, i'll take that"? was it casual when that bus was completely empty and we still sat right next to each other, all the way in the back? was it casual when i picked you up multiple times so you could dunk a basketball? was it casual when i begged to come over to your house multiple time and then you finally let me and we cooked fried rice together? was it casual when we played christmas twister together and i said "your big eggplant is touching my ass"? was it casual when we were pressed up against each other on a scooter going two miles per hour? was it casual when-

[verflares]

would you like to live deliciously?

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

[First] Prev <–-> Next

[qcomicsy]

I think a thing that people get wrong about Jason's anger is that it's not explosive.

It's cold. Jason isn't the type of person who storms off at every little thing or goes throwing tantrums and setting things on fire blindfully.

He's the type of person who's very practical. He keeps to himself, always. You rarely see issues where Jason's anger is reactive at the moment where the trigger happens to him. If you see his character up close, most of the time when he's triggered his reaction is calm. Even cold.

He gets triggered -> He keeps to himself → He makes a plan → And then he reacts.

Jason's anger being something explosive and out of character and out of place is actually how other people (characters) see it, because they have no idea on how it's playing out on Jason's head.

And that's a thing you can see operating since he was a child.

Where the only exceptions about this effect is either when someone he believes needs his help is involved.

See Nightwing Annual (2021)

But In Batman #411 when Jason learns the fact that Two-Face was responsible for his father's death and Bruce was keeping that from him as a secret his first reaction isn't to blow up on him.

Was to seethe.

Bruce goes up home after dealing with a Two-Face case (in my field we call that poetic irony) and asks Alfred where Jason is, Alfred's answer is that he's been sleeping all day (which is a conclusion that Alfred drew probably after going to check on Jason and seeing him in fact on his bed all day).

But when you see the next panel, even though he is on the bed, He's fully awake and both his expression and his body language shows that he's in fact angry.

This is the first time he appears again in the comics after learning that Two Face killed his dad.

Jason doesn't go towards Bruce immediately to demand an explanation or ask why he did this, or even to throw the truth on his face.

(Which could be debatable that that's something the Dick would usually do, but I'm not that literate on Dick's comics)

His reaction wasn't immediate.

His reaction was to go to his bed and stay quiet. Jason stayed calm and collected the whole trip until meeting Two Face again.

But the moment Jason as Robin has the opportunity to get his hands on Two-Face he does this

From Bruce, and maybe Alfred's perspective it could be interpreted as out of place or him storming off.

But it isn't. Jason was able to keep his cool (even though he shut off), until he was face a face to Two Face.

Does that mean he planned that to happen?

That's debatable, in any moment of this issue it is shown that Jason was actually planning to get to Two Face and do this. I my personal opinion, other and much more plausible explanation is: That he was in fact trying to keep to himself but couldn't hold back the moment that he saw his dad's murder.

You can see the same thing happening as Jason learns that Batman got another Robin in Red Hood: Lost Days.

Talia asks "You all right?" and Jason's first answer is "Sure Why Wouldn't I Be Alright?"

When he's alone he finally has the moment to break down.

(Actually both Red Hood: The lost days and Batman: Under the Red Hood are great case studies on how that usually play out on Jason's head.)

Jason is way more in control of his emotions than people ever give him credit for. The thing is that Jason holds it back until he either blows off or is capable to throw it back in someone's face.

[feyinvestigations]

Pt1. // Pt.2 // next

Masterpost

Hood would never want to be verified and would actively hate being verified argue with the wall

[cashmoneyyysstuff]

based on this cus i couldn't help myself. fluff n kissing and lowkey iida stray😭 3rd year suki :3

"m'gonna kill you."

normally, most people would be extremely confused, if not terrified at someone wrapping their arms around their waist from behind and those words being growled in their ear.

though not terrified, you are a little confused as to why your boyfriend would say this to you. while also nuzzling into your uniform.

"katsuki, what ?"

"m'gonna fuckin' kill you, if you don't wanna die get ready to tusle." he reiterates, the seriousness in his voice confuses you even more but you can't help but laugh a bit.

"why, what'd i do ?"you chortle. immediately you're spun around and pressed against the abnormally large door of your classroom. you'd been leaning on it waiting for him after you couldn't walk to class together like you usually do since mina had asked you to walk with her to the vending machine to get a snack before class. you figured it'd be okay since you texted him and he read your message but didn't respond, it's a classic petty katsuki move so you thought nothing of it.

but now it's looking like maaayybee you should've.

"ya fuckin' left without me this morning." ah, thought so.

"oh ?" you giggle. he doesn't look amused, glaring harder at you "yeah." he urged. "abandoned me so you could run off with racoon eyes."

"and that's why you're gonna kill me ? cus i didn't give you your morning kiss ?" you tease, voice quivering as you hold in your laughter.

"yup. hope you said your prayers." you roll your eyes, looking around the empty hallways before you decide to make your move. it seemed your teacher was going to be arriving a little late and since everyone had already headed to class the coast was clear.

wrapping your arms around his shoulders, you give him your sweetest eyes. you squeeze at him when he keeps glaring, he grunts.

"we don't have to take it that far.." you muse, pulling him closer to you, his lip twitches as he looks down at you. you get up a little closer to his face, smirking. "shoulda thought about that, sweets." he grumbles, sarcastically spitting the petname. keeping his arms on the door behind you. he's tough, but you're not done yet.

slowly you trail your arms up all the way around his neck, tugging him closer to you innocently. his ears redden the slightest bit, his mouth turns downwards harder and he's basically squinting at you. oh, you got him.

" oooorr..i could just..give you a morning kiss now..? wouldn't that be better ? if you kill me, who will give you your morning kisses then, hm ?" the sudden thought of your boyfriend finding somebody else as childish as it is makes a little salty, so you scrunch your nose up at the air " don't answer that."

at that, he cracks a smile, obviously proud to see the effect his insufferable self has on you. leaning in until your noses are a breath away from eachothers he smirks, usually he'd comfort you about your worries, but he knows better than to answer lest you get cranky and he doesn't get his kiss at all "fine." he grunts finally, his arms suddenly wrap around you, pulling you completely to his chest. he smirks when you splutter in surprise.

he grins "better make this one good, otherwise you owe me five more."

he says though he doesn't let you go after you've pressed your lips to his once..or the second time, pulling you closer to him and grumble when you try to pull away for a third kiss "stop squirmin'" he complains, arms squeezing you closer as you giggle about someone seeing you. katsuki bites at your lip, causing you to gasp. he breathes heavily "i don't care. gimme my kiss." he insists.

and how could you deny him ? you really couldn't, even as you hear your class rep gasp about how indecent and inappropriate you're both being. katsuki pulls away just slightly to grumble against your lips. and he shoots you a look, making a face to make fun of the boy scolding you both, you snort loudly and cover your mouth hoping he hasn't heard you.

katsuki is as unbothered as ever, snickering to himself that he was able to make you laugh, and he doesn't need anything else. he shoots iida a look, tells him him to fuck off, then dives in for one more kiss. he grabs your hand to drag into the classroom. he ignores iida as he continues lecturing you both, sending him a middle finger.

[xxplastic-cubexx]

oh boy 2AM !!!!!!

[confessedlyfannish]

DP x DC Writing Prompt #5

Damian does not glance back at Bruce when he knocks on the door. Instead they both wait in silence.

After a moment, the door opens.

"Hello," Jasmine, Jazz, Fenton greets politely, unsurprised to find the Waynes on her doorstep. Damian's expression grows ever darker at this revelation.

"Hello Ms. Fenton, are your parents home?" Bruce asks, placing a firm hand on Damian's shoulder, to ground as much as to restrain. To his credit he does not shake it off.

"No, they're out of town for a conference," the eighteen year-old says, opening the door wider. "But I think you'd better come in."

Bruce would normally decline, but Ms. Fenton is a legal adult and he has already, even unknowingly, waited 16 years. Damian makes the choice for him, striding past the threshold.

"Please take a seat," Jazz says as she leads them to the living room. She ignores Damian's swinging head as he takes in the home. It is deceptively large, a 90s style house filled with modern furniture. The walls are bright, with purple and green accents that would normally feel garish but somehow work. The stairs leading to the second floor are lined with family photos that Bruce yearns to take a closer look at. "Can I get you anything? Coffee? Water?"

"No, that's alright, thank you," Bruce says, taking a seat on the long plush couch. A men's windbreaker lies haphazardly thrown across one of the arms. A closed container of Oreo cookies sit on the coffee table next to a physics textbook open to chapter 16, half covered in highlighter and filled with sticky notes. There's a child's painting framed next to the tv, a handprint made to look like a thanksgiving turkey in bright blue.

For the home of experimental scientists, it is cozy and well lived-in.

Damian repeatedly glances at the stairs through the doorway.

Bruce clears his throat. "We were hoping to--"

"I've texted--oh, I'm sorry," Jazz says, having spoken at the same time. Bruce gestures for her to go on.

"I've contacted Danny, he should be here soon. He was out with some friends." Jazz explains. As she hadn't pulled out a phone in their presence, Bruce can only deduce they have some sort of camera at their front door. This also explains Ms. Fenton's complete lack of surprise at their appearance.

"So you know who we are." Damian says, the first words he's spoken since they arrived at the house and the longest sentence he's spoken since they arrived in Amity Park.

"I do," Jazz says, calm in the face of Damian's clearly simmering anger. Bruce trusts him not to attack Ms. Fenton, but he still watches him carefully.

"He told you about me," Damian says. It is the same question, but it is also not.

"He did," Jazz says.

Damian swallows. "I see," he grits out.

Jazz's neutrality slips and her face softens in sympathy. "Damian," she starts hesitantly, but before she can say anything else the front door opens.

A moment later Bruce's son walks through the doorway, and Damian is on him.

This is what Bruce hoped to prevent, but despite his numerous checks of Damian's luggage his son has still managed to smuggle a small dagger, which he now produces and swings in a calculated arc at Daniel Fenton's jugular.

Danny dodges cleanly, and dodges every swipe thereafter in a manner that speaks to continued practice long after his time at the League. Damian is a perfect product of his training, but it is up against Danny his flaws come to light. He is just as good as he always was, but Danny is better.

In a matter of seconds Damian grows frustrated and sloppy in his attacks, completely atypical for him. Danny takes Damian out at the knees and pins him down with one arm, pressing his face into the carpet.

"Calm down," he orders. His voice is deeper than Damian's at sixteen to his twelve, the accent that still traces Damian's words completely gone from his speech. Damian growls and thrusts his head back into Danny's face, meeting it with a sharp thunk. He rolls up as Danny recoils, putting distance between them. Danny glares at him from several steps away, hand to his forehead. Damian tosses the dagger into his other hand as he charges, and to Bruce's surprise Danny does nothing more than turn his face to the side, allowing Damian to draw a sharp line down his cheek.

Damian stops dead in his tracks.

"Are you done?" Danny asks, blood beginning to pool at the seam of the cut.

Damian's expression is stricken, eyes stuck on the blood starting to drip down his brother's face.

"I said, are you done, Damian?" Danny asks. His voice is cold.

Damian hears him this time, and he flushes red. "I--you--"

Danny sighs. He looks at Jazz, whose expression is back to carefully controlled.

"Are you alright?" he asks her. She nods.

"You left me," Damian accuses, standing there holding his bloody dagger limply.

Danny turns back to him, raising an eyebrow.

"You left me," Damian repeats louder, rapidly blinking.

"Yes. I did." Danny provides no excuse nor any explanation. His stance is unyielding.

Damian's eyes bounce wildly, shifting to Jazz and Danny slides smoothly in front of her, protectively. He looks at Damian warily, not as if he is his brother, but as if he is a danger. Damian flinches.

Hope is the last to die, Bruce thinks, watching as that last bit of hope Damian had is extinguished, the knowledge working its way through every inch of his body like ice in his veins. His eyes darken. He turns and runs from the room, the front door slamming shut not a moment later.

Jazz stands up, pulling a few tissues from the box on the coffee table. She presses them to Danny's face, cupping his cheek until he holds it himself. "I'm going to go get the first aid kit," she says gently. It is a thinly veiled excuse to leave them alone, and Bruce is grateful for it as she heads for the stairs.

They both wait until her footsteps have faded, taking each other in. Bruce looks at his mother's eyes and the sharp turn of Talia's nose. Damian's everything, four years older.

"You shouldn't have come here," Danny says, throwing himself on the armchair Jazz has just vacated.

"You know who I am," Bruce says carefully.

Danny glares. "I've kept your secret. She nor my parents know."

"I know," Bruce says. "That's not what I meant. You know who I am. And who I pretend to be. So you know I am familiar with masks."

"And?" Danny asks, looking vaguely bored.

"And so I can recognize when someone is wearing one. Damian will too, once he's calmed down."

Danny's expression sharpens. "No, he won't. Because you are going to go to back to whatever bed and breakfast you're staying in, pack up, hop in your private jet and fly him back to Gotham immediately before the League realizes you've gone. If they haven't already," he mutters.

"This is about the League then," Bruce says. "Do you not believe I can protect you?"

"I don't need your protection," Danny snaps, and watches Bruce actively extrapolate with a dawning resignation. "So this is the World's Greatest Detective at work," he says, slumping bonelessly into his chair, the first teenager-y thing he's done.

"Damian's in danger from the League," Bruce says. Danny glares from his slump. It's almost cute. "And as long as the League doesn't know about you, he's safe."

"Draw your own conclusions," Danny says, baring his teeth. Damian often makes the same face. "As long as you leave."

"I can protect him. I can protect you both," Bruce says. "Let me help you."

Danny closes his eyes. He centers his breathing in an exercise someone has clearly walked him through in the past. Bruce would bet money on the adoptive sister waiting patiently upstairs.

"Mr. Wayne. You are not my father," he says. "My trust in you extends to the point that I left Damian in your care, but that is where it ends. And that was when it was sanctioned by the League. By coming here you have endangered those sanctions."

Bruce disregards the sting, doubling down on his analysis. Talia had left Damian with Bruce well after Danny had left the League. But Danny speaks as if the decision had been his.

Or perhaps, Bruce realizes, it is not that Danny decided upon it, but that Danny allowed it to continue.

Bruce takes a second to review what Oracle had gone over with him before they left for Amity. Daniel Fenton had by all accounts, since leaving the League, lived a fairly normal life. His adoptive parents were eccentric scientists dabbling in the occult but their findings that bordered pseudoscience circulated a very niche community of like-minded eccentrics. The bulk of their income came from alternative energy, a more viable source of study that they'd veered harder into in the past year or so, a government contract with the EPA currently in the works. This had in part funded a vacation to an all-inclusive resort the family had taken that past summer.

Danny received average grades in school, above average in science and mathematics, declining sharply in his freshman year and sophomore year before evening out around the second semester. He had gotten into fights repeatedly with one student in particular, suspended for two weeks following an incident that resulted in a the student receiving a black eye. Teachers reported him to be highly intelligent but distracted and removed. They had recommended he be evaluated for an attention-deficit/hyperactivity disorder. He had no social media. He had missed multiple picture days. The ones he had attended he was sneezing, or a blur of movement, even going so far as to fall off his stool, legs flailing. Bruce had drank up every last one as Barbara had waited patiently.

A normal life. A family vacation to Bermuda. Average grades.

His freshman year, distracted and removed. The same year Damian had arrived at Bruce's home. Masks upon masks.

"You have informants within the League," Bruce says. Danny, to his credit, has no discernible tell. But there is no other explanation. "What will you do, if they find out you are alive?"

"That is none of your concern," Danny says, but he might as well be saying whatever I have to.

He never stopped practicing, after all.

"If they go after Damian, it is my concern."

"And that is why you need to take Damian back to Gotham before they do." Danny says. "I will take care of it."

Damian had barely spoken since he had realized Danyal was alive. But Bruce had seen the reverence in his eyes as he looked at the file.

"الوريث الصحيح" he had murmured. The rightful heir.

"You are proposing going after the entirety of the League with no backup," Bruce says. "Even if you think they won't kill you, you won't win either."

"Maybe they will," Danny says lightly. "Kill me. That would also work."

Bruce inhales sharply. "Danny," he starts.

"Go home, Mr. Wayne," Danny says, pushing himself up with one hand. The other still clutches the wad of tissue to his cheek, partially soaked with blood. "Go take care of your son."

"I'll go," Bruce says, "I'll take him to the Watchtower. And then I'll come back."

"Mr. Wayne-"

"I should've come for you," Bruce interrupts. "Sixteen years ago. I should've come for you."

Danny's brow furrows. "You had no idea I existed."

"But if I had. I would've come. I never would've left you there. And now that I know, I am not leaving you now."

For the first time Bruce watches Danny be completely caught off guard. He openly gapes at Bruce.

"You would've died," Danny lands on, voice thin. "They would've killed you."

"Unlike you, I would've brought backup." Bruce says, mimicking Danny's lightness.

He's lying. Sixteen years ago he would've thrown himself at the League to save his newborn son without a plan, without a thought beyond rescuing his baby.

Danny barks out a laugh. "You would've laid siege to Nanda Parbat with The Big Blue Boy Scout?" he looks wistful. "That would've been rad."

Bruce sees his opening. "Danny," he stands, eye to eye with his son. "Let me help you."

Danny evaluates him. "The Batman," he says softly. "I didn't want you to come, then. I didn't need one more person I had to prove myself to. All I wanted was to live amongst the stars, in the quiet of the cosmos."

"You want to be an astronaut," Bruce says. At Danny's cocked head, he says without shame, "I read your essay on personal heroes. You wrote about Edward White. Ad Astra Per Aspera."

Danny smiles slightly, sadly. "It is a rough road."

"You can be whatever you want to be," Bruce says. "I won't stand in your way."

"Even if I want to be Danny Fenton?" he asks.

"Even then."

Danny sighs. "I don't need your help Bruce," he says. "No," he says as Bruce opens his mouth. He pulls the wad of tissues away from his cheek. Underneath the splotches of dried blood the gash in his face has cleanly knit itself together, a faint white line now all that remains.

"I don't need your help," he says clearly. He holds a palm forward, and a green fire grows from its center, until the flames are licking delicately up his fingers.

"I know The Batman does not kill. But I am not a Robin. I am something else entirely," Danny says, his eyes reflecting the green of the flames. Or not, as he looks up at Bruce, his eyes green all on their own. They are sad. This is why he stayed away, Bruce realizes. Not out of fear. Danny is not afraid. Danny is tired.

But for his brother, Danny will wake up.

"And If the League takes one step towards Damian, I will raze them to the ground."